| DASA RUPAK | ||
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International Refereed Journal of Tamil Studies Research (IRJTSR) © 2026 by IRJTSR Journal Volume-8 Issue-4 Year of Publication : 2025 Authors : Mr. Ganeshamoorthy Harran |
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| Citation: MLA Style: Mr. Ganeshamoorthy Harran, "DASA RUPAK" International Refereed Journal of Tamil Studies Research (IRJTSR) V8.I4 (2026): 30-32. APA Style: Mr. Ganeshamoorthy Harran, DASA RUPAK, International Refereed Journal of Tamil Studies Research (IRJTSR), v8(i4), 30-32. |
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| சுருக்கம்: Natyashastra origin by Bharata Muni. In his book he explains some technique to Music, Dance, Drama art forms and he export some way of hide to this form. Natyashatra has 36 Chapters and 6000 Solokas. In 20th chapter describes ten types of plays .This word used for play as primarily it is visual reorientation. However in his own words says that he has attempted to present the same in an ordered and concise fashion in his book, so it can be consumed by common folk. The influence of Dasharupakam is very evident on later Sanskrit dramaturgists. It is written by Dhananjaya. The most famous commentary on the work, known as Avaloka, was written by Dhanika, a younger brother of the author. Dhanika has worked to collect example verses from various plays of the time for each rule or lakshana. (Such as Ratnavali, Mrucchakatikam, Venisamhara, Mahaveeracharitam etc.) and add to this book. |
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| முக்கிய வார்த்தைகள்: Natyashastra, Bharata, Folk, Dasharupakam, Sanskrit Dramaturgists, Venisamhara, Mahaveeracharitam. |
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| துணைநூற்பட்டியல்: [1] Natya Shastra written by Bharata Muni Transilated by N.P Unni. [2] The Dasarupa A Treatise on hindu dramaturgy by Dhanamjaya English transilate by George C.O. HAAs, A.M, PhD. [3] A Study of Abhinabharati on Bharata’s Natyasastra and Avaloka on Dhanajayas’s Dasarupaka(Dramaturgical Principles) by Manjul Gupta. |
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